Author: 11HellHeaven

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“This is a metaphor of my curse, the impossibility of understanding human feelings”.
“Questa è una metafora della mia maledizione, l’impossibilità di comprendere i sentimenti umani”.

Pietro Campagnoli has got the Asperger Syndrome, a form of autism that gave him a high I.Q. but bad relationship skills. At High School he always had problems in understanding the thoughts of his classmates and how to relate with them. With his sculptures he creates casts with blankets, wet with gypsum, placing them on living bodies and waiting for them to solidify. In these casts he tries to reproduce the shape of the human being, like a photograph of the bodies. His works never have definite faces, because it is impossible for him to understand people’s emotions, due to his syndrome. They are always empty, because the internal body has evolved and disappeared, and the “envelope” remains, like a chrysalis.
Pietro’s work is born by the attempt to describe metaphorically his past. The most violent experiences make us the most resilient individuals His artworks remind him that the storm can be fought and defeat, if an unwavering willpower supports your mind against the lashes of sensitive experiences.

Pietro is born in Turin in 1994, where he lives and works. He started working as a professional in 2011, under institutional patronages of primary importance such as: Regione Piemonte, Fondazione CRT Cassa di Risparmio di Torino, Compagnia di San Paolo, Opera Barolo, Dipartimento Educazione del Castello di Rivoli, Dipartimento Educazione Fondazione Merz, Fondazione Pistoletto, Centro Studi Bianca Tosatti Parma.

Exhibitions

2019 – “ArtRooms Roma”, The Church Palace Hotel, Roma (IT)
2019 – “ArtRooms London”, Mélia White Palace, London (UK)
2018 – “Festival nazionale dello sviluppo sostenibile 2018” Pinacoteca Albertina di Belle Arti, Torino
2018 – “Arteam Cup: mostra finale” Fondazione Dino Zoli, Forlì
2018 – “ArtRooms Seul”, Hotel Riviera Cheongdam, Seoul (South Korea)
2018 – “London Art Fair” special project by Areacreativa42 Gallery, Londra
2017 – “Teufelsberg Reload” Street Art Limited Gallery, Berna
2017 – “Fuoriserie”. Collettiva curata da D. Rosi e T. Taramino, Palazzo Barolo, Torino
2017 – “Stilbruch festival” Dots Gallery, Teufelsberg, Berlino
2017 – KBArtGallery, collettiva, Torino
2017 – “Bring Your Own Device II”, a cura di D. Anni, Ualuba Digital Art Gallery, Brescia
2017 – “Open residence selected artist”, Trestle Gallery, Brooklyn, New York
2017 – “Animale_” Workshop Dipartimento Educazione Fondazione Merz, Laboratorio “La Galleria”, Torino
2017 – “Io che osservo il divenire a Torino 19 gennaio 2017” , Solo show. Galleria Spaziobianco/Officina 500, Torino
2016 – “Complementi di luogo” collettiva a cura di Salvatore Giò Gagliano e Diego Pasqualin, Palazzo Barolo, Torino
2016 – “Bring your own device” collettiva a cura di Davide Anni, CAMERA (Centro Italiano per la Fotografia), Torino
2016 – “I fantasmi dello Spettro” curata da Sara Boggio, InGenio Arte Contemporanea e Palazzo Falletti di Barolo, Torino
2014 – “Trailer” collettiva, Mai Visti E Altre Storie e Arteco, patrocinato dalla Fondazione Pistoletto, Rebirth Day, galleria InGenio, Torino

Awards

2019 – “Primo Premio Luciano Bolis”, Palazzo Ducale, Genova
2018 – Finalista “Arteam Cup”, Forlì
2017 – Finalista “Premio Nocivelli”, sezione scultura
2017 – Vincitore under 30 “Premio città di Torino” per “CBM Art Prize 2017”

11HellHeaven è lieta di annunciare la sua collaborazione con la Galleria Opera Ottava per l’appuntamento invernale di Artshopping 2017 nella Costa Azzurra, a Cannes Mandelieu.
Ringraziamo la Curatrice, Dott.ssa Michela Barausse.
11HellHeaven is pleased to announce a starting collaboration with Galleria Opera Ottava on the occasion of Artshopping 2017 in Côte d’Azur, Cannes Mandelieu.
We thank the Curator, Dr.ssa Michela Barausse.
01 – 03 dec 2017
Cannes, Centre Expo Congrès de Mandelieu

Collateral Event
16th International Architecture Exhibition
La Biennale di Venezia

Concilio Europeo dell’Arte
InParadiso Art Gallery – Giardini della Biennale
26 May — 25 November 2018

Press Release

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#EuropeForCulture

‘Borghi of Italy – No(F)eartquake’ is labelled ‘European Year of Cultural Heritage (EYCH)’ as endorsed by the European Parliament and the Council of the EU.

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“Borghi of Italy – #NO(F)EARTHQUAKE” is a Collateral Event of the 16th International Architecture Exhibition – La Biennale di Venezia.

The exhibition, promoted by Concilio Europeo dell’Arte, is concerned on the seismic prevention and safety of our artistic heritage, and on the revitalization of those sites that are highly representative of our architectural tradition.

Symbol of the energy and commitment in safeguarding the historical and cultural heritage of Italian hamlets is the installation ‘Albero Sonico Destrutturato’ by the italian artist Marko Guglielmi Reimmortal inside Concilio Europeo dell’Arte gallery space (InParadiso Art Gallery) at the entrance to Giardini della Biennale.

Also the artwork suspended to the ceiling (‘Operazione Dimmi Amatrice’) is dedicated to the ancient village of Amatrice in Lazio, destroyed by the earthquake in 2016. This project is the result of the artist’s collaboration with the municipality of Amatrice and the Department of History, Representation and Restoration of Architecture of Università di Roma La Sapienza.

The artist Marko Guglielmi Reimmortal is sound designer, visual artist and performer. He has over thirty-five years of experience in the experimental research on sound and video. Marko acquires notoriety for his harmonic vision of sonic bodies characterizing his huge conceptual installations, such as ‘SonicMandala’and ‘ComPUSters’.In 2017 in IX Biennial of Florence he wins the 5th Award ‘Lorenzo il Magnifico’. During the 57th Biennale di Venezia, he has his first retrospective exhibition inside the Church of Abbazia della Misericordia in Venice. In 2018 Marko announces his new project called ‘TSP Trance Sonic Painting’: a series of installations and performances where the sound is transposed to the two-dimensional canvas. His upcoming programs include the expansion of the concept ‘Albero Sonico’ and ’Operazione Dimmi’ in natural and site-specific environements.

Promoted by: Concilio Europeo dell’Arte.
In collaboration with: Università di Bologna Alma Mater Studiorum, Università IUAV Venezia, Comune di Amatrice, Università degli Studi di Roma La Sapienza, Fondazione Dino ed Ernesta Santarelli, Associazione Horto Culturale Amatrice Onlus.
Curator for ‘Albero Sonico’, ‘Operazione Dimmi Amatrice’ is: Stefania Minutaglio.
Courtesy by: 11 [HellHeaven] Art Gallery.

We’re going institutional!
This event is promoted by:

‘Olympia e le Muse’

Etchings and original engravings from the most important Masters of Impressionism and Post-Impressionism in Europe.

Acqueforti e incisioni originali dei più importanti maestri dell’Impressionismo e Post-Impressionismo in Europa.

Thirty rare Impressionist and Post-Impressionist graphic works by Manet, Renoir, Sisley, Bracquemond, Morisot, Pissarro and many others who used engraving and lithography as an autonomous and original artistic expression.

Trenta rare opere grafiche impressioniste e post-impressioniste di Manet, Renoir, Sisley, Bracquemond, Morisot, Pissarro e molti altri artisti che utilizzarono l’incisione e la litografia come espressione artistica autonoma e originale.

Curated by:
Stefania Minutaglio
Stefano Liberati

11 [HellHeaven] Art Gallery
DAL 3 AL 24 NOVEMBRE 2018

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What is the avant-garde art market?

Let’s not get confused with the historical avant-garde of the early twentieth century. This has nothing to do with Futurism, Cubism, Dadaism: certainly Picasso and Matisse no longer represent the avant-garde revolution, but the “classic ” contemporary (the so-called “blue chips“).

Avant-garde today in the art market means artworks that are experimental, radical, or unorthodox sometimes difficult to sell in the normal circuits. Avant-garde mostly includes installations of large dimensions; this often involve the use of taxidermy or organic elements (when not whole carcasses of animals, as in the famous case of the Damien Hirst’s shark) under formaldehyde or under resin.

Installations often include multimedia elements, producing an encroachment of languages between visual and performing arts, between sound and video. They are complex works, which inhabit a transversal territory between disciplines sometimes in stark overlap, in an area of interconnection that blurs each stylistic “purity”.

The avant-garde art market constitutes a specific segment of the art business, formed by emerging and mid-career artists, who already had numerous exhibitions and who already started to draw the attention of the press and critics, in the process of moving from the primary to the secondary market in the auction circuits. It is a fluid and high-impact market luring the most innovative and experienced collectors who are attracted by a much higher profit – although fluctuating – than that guaranteed by the blue chips.

Discover the new collection!
“Enlightened Obscurum”

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Bansri is an Indian painter living and working in Mumbai. She thinks of herself as “a storyteller of the world about us”, raising the relevant questions about life, soul, and awareness. Art – like meditation – is a means to dive into oneself. “My art is like a mantra given by my master – love, live, laugh, give!”.

She found her artistic vocation in 2001 when her native village in Gujrat was hit by an earthquake reaching a maximum felt intensity of X on the Mercalli intensity scale. The earthquake killed around 20,000 people, injured another 167,000, and destroyed nearly 400,000 homes. Amongst the ruin of the disaster, art stood for Bansri like the only hope to help herself and her community. “That’s how I started a loving caring tango” with painting, along with an operating role as an activist in her own community. Sharing and social awareness have since been the deepest impact in her life and her artistic path.

Her inner push to help soon became involved in many humanitarian projects. Bansri works as an art facilitator in Shivkul Commune: an institution in the foothills of the Himalayas in Uttaranchal India, now having joint efforts to build up a school with a principal base for arts and culture. Also along with the American painter ROMANHO, she is co-founder of “NHO“: a global campaign against child abuse in the poorest countries of India.

Her technical process finds her more inclined to linen canvases and oils, but she may also pick up pen and ink, waters and charcoal as fine ingredients for what she calls “my art curry”. It is definitely a unique style of melting borders between techniques in a strong and personal manner. “When I paint I try to bring into my oils what I love in waters, and the texture and quality of charcoal. It’s not conscious but it happens that way […] My art develops the best when I know where not to interfere.”
It’s a process near to a sort of automatic writing. “When something keeps hammering, again and again, I do write on it.” Bansri does not identify with her work, but rather offers herself as a medium to reveal hidden meanings that go beyond her ordinary state of consciousness, dwelling in a middle-earth between human and divine: “my works often reveal wisdom to me more when I stare at them in between.”

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Buy Marko Guglielmi Reimmortal’s artworks on Artsy

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Marko Guglielmi ReImmortal is a performer and a visual artist deeply involved in sound research during the last thirty years. He is the author of many projects for theatre and contemporary dance, for exhibitions and avantgarde performances.

Marko Guglielmi ReImmortal è impegnato nella ricerca sonora come artista e sound designer da oltre trent’anni. Ha all’attivo numerosi progetti per il teatro e la danza contemporanea, la sonorizzazione di mostre e performance avantgarde.

In the last decade Marko focuses on performative and visual arts, creating sculptures and installations marked by the confluence of all media and by a strong experimental attitude. He has now a leading role in the Italian avantgarde scene.

Negli ultimi anni concentra la sua attenzione sulle arti performative e visive, con installazioni caratterizzate dalla sperimentazione e commistione dei linguaggi e dei media, ponendosi come riferimento nel panorama artistico italiano e internazionale di avanguardia.

ComPUSter is the new artistic work of Marko Guglielmi – ReImmortal. It’s a set of six works going separately or together.

ComPUSter è il suo nuovo progetto artistico. Si tratta di un concept che racchiude una serie di sei opere informali che possono essere allestite singolarmente o insieme.

The language is between conceptual and “arte povera”, mixed with video and performing art. The integration of mechanical and organic materials (such as mice or oxen brains under resin) together with the use of new media expand the concept of ready-made to new and unexplored horizons.

Il linguaggio è tra il concettuale e l’arte povera, con incursioni nel video e nella performing art. L’integrazione di materiali meccanici e organici di origine animale (come galli, topi e cervelli di bue sotto resina) insieme all’uso dei nuovi media allargano a nuovi e inesplorati orizzonti il concetto di ready-made.

Go to | Vai a: ComPUSter

Go to | Vai a: Exhibitions | Mostre

References | Riferimenti:
www.reimmortal.com

Ask for infos | Chiedi maggiori informazioni su questo artista

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Six good reasons to buy art with us.

1-Because we are experts.
We are specialist in avant-garde contemporary art market and Design Art.

2-Because it’s a personal matter.
We personally follow you in each sale. We love to hear more about you and your needs and preferences as a collector and address you to the best artwork. No one is like another. When all collections seem all clones of each other, a true Freethinker Collector is a joy to encounter.

3-Because we are trustworthy.
We are members of UEEA (European Union of Art Experts) and of CEA (European Council of Art). We are also a member of IACC (Italy-America Chamber of Commerce). Our commercial partner is Artsy: the first online resource for art collecting and education.
We are Artprice‘s Partner, the world’s leading database for the art market and investments, key figures, and auction trends.
We also are Authorized Licensee ArtData (licensee N. IT000126) The Swiss Register. Every work is accompanied by archives and a certificate of authenticity, along with catalogs and publications.

4-Because we Guarantee we will Buy Back.
We are practically the only art gallery on the market to cover you with a 12 months BuyBack Guarantee

5-Because we give you credit.
We partner with Art Money to make art more accessible, support artists and a sustainable creative economy. Art Money allows you to enjoy your artwork now and pay over time, whilst we pay our artists immediately

6-Because we pioneer the change.
We are riding the NFT revolution.
Also, we are currently accepting Bitcoin (BTC), Ethereum (ETH), Litecoin (LTC), USD Coin (USDC), and most of the main cryptocurrencies.

The world changes. We change, too.

 

Buy Costel Iarca’s artworks on Artsy

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Costel Iarca (1963) is a Romanian abstract expressionist living and working in the U.S.A., known for developing a textured application method.

His distinctive patented technique leaves the canvas three-dimensional with depth and definition. By incorporating textiles into cylindrical calques with latex and acrylic paint, on canvases as massive as five by six feet and weighing as much as sixty pounds, vibrant color explodes in three-dimensional patterns and shapes.

Embedded with mystical imagery and spiritual symbols, his paintings reflect his philosophical immersion at the University of Theology in Transylvania, his native land. “I can see that I do the relation all the time between theology and paintings… Art is the big window of the soul.”

Exhibitions:
Solo Exibition – MacNIDER ART MUSEUM, IA – Nov. 20 2008 – Feb 2009
Group show – ANDREWS ART MUSEUM, NC – June 2009
Iarca Gallery 700 N. Michigan Ave. Chicago, 2000-2008
Iarca Gallery 307 N. Michigan Ave. Chicago, 2004-2006
Iarca Gallery 7339 El Passeo, Palm Desert, CA 2004-2008
Iarca Gallery 475 N. 5th Ave, Naples FL 2004-2009

Press Release:
Jul. 2010 – Eclectica.org – NC
Jun. 2009 – The Andrew’s Journal – Romania
Jun. 2009 – Vivid – FL
Mar. 2009 – Nothshore Golf – NY
Mar. 2009 – ARTNOW MAG – NY
Dec. 2009 – ARTFORUM – IA
Dec. 2009 – ART IN AMERICA – CA
Nov. 2009 – THE GLOBE GAZETTE – CHICAGO
Spring 2008 – ARTWORKS – CA
Dec. 2007 – NEW CITY – Romania
Autumn 2007 – DMQ REVIEW – UK
Jun. 2006 – COTIDIANUL – USA
May, 2006 – NEW WOMAN MAGAZINE – Chicago
Oct. 2005 – GUEST INFORMANT – Florida
Oct. 2005 – CHICAGO TRIBUNE – NY
Apr. 2005 – BROWARD DESIGN – Indiana
Aug. 2004 – THE NEW YORK OBSERVER – Chicago
Jun. 2003 – JEWISH POST & OPINION – Chicago
Sep. 2001 – PIONEER PRESS – Chicago
Jul. 2001 – SKYLINE – Chicago
Apr. 2001 – CHICAGO SUNTIMES – Chicago
Apr. 2000 – LATIN MIDWEST – Indianapolis
Nov. 1999 – CHICAGO SUNTIMES – Chicago
Dec. 1999 – LATIN MIDWEST – Indianapolis

Buy ROMANHO’s artworks on Artsy

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